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The views expressed in this podcast are solely those of the podcast host and guest and do not necessarily represent those of our distribution partners, supporting business relationships or supported audience.
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Welcome to Transacting Value, where we talk about practical applications for instigating self-worth when dealing with each other and even within ourselves, where we foster a podcast listening experience that lets you hear the power of a value system for managing burnout, establishing boundaries, fostering community and finding identity.
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My name is Josh Porthouse, I'm your host and we are redefining sovereignty of character.
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This is why values still hold value.
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This is Transacting Value.
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Chaos is the release that lots of us are looking for.
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I'm not a drinker and I'm not down on drinkers, but I don't need to drink when I've got chaos in my life that I can dance through.
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But I own Transacting Value.
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What happens when we deploy, when we leave for long periods of time?
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More specifically, what happens to our kids and then as kids?
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How might we interpret those interactions?
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What does it do for our self-expression and, ultimately, what can it do for our self-worth?
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Today we're talking to dance movement psychotherapist and relationship and intimacy coach, Chloe D'Souza.
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All about what it looked like for her and some suggestions, recommendations and insights that she's gotten along the way to fix everything.
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I'm Josh Porthouse, I'm your host and from SDYT Media.
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This is Transacting Value, Chloe, how are you doing?
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I'm doing good.
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It's nighttime, my time, but that's okay.
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The house is cool.
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Yeah, I mean so you've had wait, you're what five hours ahead of East?
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Coast.
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Yeah, yeah, okay, all right, well, so let's just start there, then I think it may eventually have come out, probably with your accent or something, for anybody listening to the audio version of this, but let's just take the first couple of minutes then and set the stage, because there's a lot of stuff in that intro to unpack, especially in 45 minutes.
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So maybe for the sake of efficiency and a little bit of resonance.
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Who are you?
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Where are you from?
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What sort of things are shaping your perspective on life as it applies to all of these?
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things'm.
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Like you said, I'm a relationship and intimacy coach.
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My background really studies the body for a very long time.
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So there you had my dance movement psychotherapy in there.
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I'm also an ecstatic dance teacher five rhythms.
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So I've looked for a long time on what our bodies hold.
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So I've looked for a long time on what our bodies hold, the effect that that has on us and also what we can release along the way.
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So the further I've got into my career, the more I go into nervous system work.
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So, if you like, any event that takes place you know, good or bad, whatever you want to whatever.
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These days I would just say emotional, Unless you've had a great amount of time within that moment to realize what it means to you and and what what you're taking away from it.
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Most of us have got incomplete events in us, um, and I for myself, the more I've traveled through life, I try and catch up on the events as they go along, but they leave a mark on us.
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So I'm here to help people with, for example, you know, you know when you'd like to behave one way, but you know you pattern in a certain way and it keeps coming out.
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Well, I'm here to help people look at what is under the pattern, Because if you release that little bit, you start to behave a little bit differently and your world could open up, probably to a bit more love that's interesting.
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So what do you mean like anxious behaviors?
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anxious behavior, defensive behaviors, anger, addiction yeah everything really from um attachments obviously in there that's kind of quite a buzzword at the moment, but you know when or even contradictory behavior.
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For example, a client of mine came to me.
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I really want to meet someone you know and I'm like, oh great, fantastic, I can help you with that.
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And then you find in her system that she's.
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She suffered great loss within the first few months of her marriage, which ended with the loss of her husband, so her heart carries a contradiction.
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I really want to meet someone.
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I'm terrified of meeting someone in case I lose them, so so there's two events of there's a there's a conflict of desires, but once you realize you have the capacity to hold your heart through something and say, hey, I, I understand where we need to risk loss, but we're going to do it anyway because we want love more than that, we want to live again, even though we lost him oh, I like that, and you discovered this through dance uh, primarily through my own history was I found dance floors at about the age of 17, 18.
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I found them more consciously, if you like, if that is such a thing at about 21.
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And I started to digest the freeze in my body from my own childhood.
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So I had very damaged attachment.
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As a kid I didn't really know which way was up.
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There wasn't a lot of emotional literacy going on for me and when I started to move I realized that there was pain, there was grief, there was, there was bliss, that there was anger, and when I let my body express it on a dance floor I wasn't hurting anyone, so I felt free to really move.
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When you get that kind of alignment happening, there's a massive sense of relief in a human being system and and that's when you start to digest events without needing a cerebral cortical narrative even you're just just letting stuff move.
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I went on to study a degree which was cultural anthropology and looking at, like medicine systems around the world, what was working, and spent a lot of that decade traveling and immersing myself in stuff and came to hold five rhythms dance floors to work the magic with other people like provide environments that people could work their stuff out.
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Then I got deeply into coaching because of a, a massive heartbreak in my adult life.
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So you, you've got childhood trauma, you've got adult trauma.
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That holds a different tone and I don't know if you've heard of the hindsight window.
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You might be interested in that, josh.
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Let's say I haven't.
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What is that?
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So for me it's something you can't really fake.
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So my life went into.
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It just kind of imploded.
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One day my marriage broke down.
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It was right, right, you know, a surprise to me, and it was like nothing was left, and I I'm the sort of person that tends to map things because I want to offer them to other people.
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So I gathered a load of tools to to help mend my own heartbreak, and an embodiment was a lens that really helped me out.
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It was like, okay, so this hurts.
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What's the communication?
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And so the hindsight window is the amount of time it takes from an event that at the time seems shocking or hard, to the point that you can get to where, naturally and organically in your life, you realize the blessing or the gift that that event gave you.
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Now you have to choose some meaning on it.
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So for me, I learned how to heal my heart.
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When the event first happened I wasn't like celebratory, I wasn't thinking great.
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I learned how to heal a broken heart.
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Yeah, not now.
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You know, but through hard work and wanting to head towards repair, there was a moment where I saw the grace of what had happened to me.
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I saw almost the amazing opportunity that I had in this lifetime to experience how to mend my own heart.
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It felt incredible and it was a quiet moment of kind of peace and relief and a moment of kind of circle.
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That was a lot, and so when those moments happen and hopefully I provide those moments for people now you can't rush a moment like that, but it's amazing because, instead of being in the victim role, which is an important part of the heroine or hero's journey you then have a reason why that you found for yourself or a humanity that that like, oh okay, this has happened to a lot of people, including myself, and and now, what do I want to do with that?
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yeah, but identifying that.
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I guess there's three things I wanted to bring up based on what you just said.
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Identifying that from, I mean essentially like a silent actor in dance, I mean you're not vocalizing anything, unless actually I can't really think of any dancers that are also vocalizing at the same time.
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So, as a silent actor, how you process through that or identify those kinds of triggers.
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But then, as a of self-expression, I think dance pretty much holds its own now over the last couple thousand years.
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But to be able to do that intentionally you know what I mean it's like a speaker up on a stage or in front of a crowd or with a microphone you know stand-up comedy or in any degree of seriousness I think is able to convey that kind of rhetoric and assess it based off an audience's response and then do something with it.
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Right, it's a three piece kind of thing, but as a dancer you're not focused on the audience.
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You're.
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You're present in the moment, but the audience may as well bleed away, right?
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So my first question is how was dance then a way for you to identify or become aware of any of those triggers?
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And then, secondly, how did you use it to grow and respond to whatever it was doing for you first of all, it was a performance dance, which was amazing.
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So it was more of a meditative dance.
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So it was more like there's five different rhythms and they're going to bring out different pieces of you, if you like.
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So there's flowing, staccato, chaos, lyrical and stillness.
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So you put your body in an environment where there is flow and and you start to receive yourself, your, your attention goes inside.
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You put yourself in an environment of staccato, much more angular.
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You've got the out-breath.
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Your attention comes outside, to the world.
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Even that's catalytic enough to bring up something like how scared some people are to assert themselves.
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You start to flex that muscle.
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You're going to uncover why you don't want to flex that muscle of of like being seen, expressing, interacting with another.
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Why am I scared of that?
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It's going to come up.
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Why am I scared to go inside?
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What's what's there?
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Chaos is the release that lots of us are looking for.
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You know, I'm not.
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I'm not a drinker and I'm not down on drinkers, but like I don't need to drink when I've got chaos in my life that I can dance through like it's like, yeah, it's, it's just like you let your body move any which way it wants to move and there's rhythms and music.
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I would play to it to provide that environment for the dancers.
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The recall is like after you've emptied, you know for for anybody, you know, like the the 2, 3 am slot, if everyone's anyone stayed up that late and you get into this zone.
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Lyrical is a bit like that zone and stillness they call it the healing rhythm because when you're that empty, your body is an organism, if you like just wants to bring itself into balance.
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Your body as an organism, if you like, just wants to bring itself into balance.
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So it wasn't performance dance.
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So you're listening all the time to the congruence between your body movement and what you're feeling.
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You're looking for that congruence and when you find it, you know it, because your mind stills which?
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Is an amazing experience.
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Yeah, yeah, I bet it is Now.
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You mentioned something that before we recorded I think is interesting to that point.
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You said it helped you identify or maybe align with your inner child.
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Is that because it's just more playful and self-expressive and not as controlled of an environment?
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Or not as self-controlled maybe of an environment?
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Or how did one bring about the other?
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I think I've always been a little bit wild and I wanted an environment where I was allowed to be that, and dance schools held that space for me Also.
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I was very sad as a child.
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Um, I didn't live with my mom from about the age of six and and there.
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So there was kind of continual grief for me in my childhood.
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So strangely and this is like I want to send you playlists now, josh but strangely like whenever I was dancing and I moved my hands, I ended up crying like it wasn't like literally my grief was in my hands, but maybe my hands could tell the story of my grief.
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maybe it was a bit of an interaction between the two.
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Like you said, we don't exist in a vacuum, um, and then one day it was gone, like I moved my hands and I didn't cry, it was complete, we were done, we moved on.
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Alrighty, folks sit tight and we'll be right back on Transacting Value.
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Like I moved my hands and I didn't cry, it was complete, we were done, we moved on you know there's.
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There's a lot of ways people learn and I'm not necessarily trying to preach to the choir here, but I'm going somewhere with this and so to say that you know, the more senses you can inundate somebody with to a particular point or construct, the more likely they're going to not only remember it but be able to rely on it, interpret it, analyze it, do something constructive or, I guess, destructive with it.
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Right, and it sounds a lot like what you're describing.
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Isn't just maybe that grief cycle where you sort of dwell and stay in the past and think about it, but then you can also feel it and drive some sort of I don't know adrenal response or or some sort of like what's the word?
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Neurotypical response?
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to whatever those emotions are and and you know lymphatically force your body to process them out, is there any relevance to that kind of physiology or physiological response?
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Is that what keeps you around, working with dance and trauma and relationship?
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have you read Bessel van der Kolk?
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the body keeps the score no, okay he was amazing he first started work with I'd really recommend it to anyone who wants to heal themselves and include all of themselves in their healing so he started working with veterans first of all that were were suffering from what was undiagnosed back there as post-traumatic stress.
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Post-traumatic stress wasn't in the medical big books in those days.
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So you had veterans suffering from flashbacks and all sorts of things going on and they weren't happening.
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But for the veterans it was happening.
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Ptsd is such a thing.
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So he started to look at where the nervous system was storing these events and a sense that these events needed to end at the.
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Where the nervous system was storing these events and and a sense that these events needed to end for the person, but also that somehow the body was storing it.
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The body kept the score on those events.
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So he started to look at like, what did the body need to do in order to, to make peace to the body, to know that it was no longer taking place, but also, but also, the digestion was in feeling it so often with my clients, to use a less catalytic example um, what, what?
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You know the, the very colloquial phrase, what we resist persists, right, if, if I'm, if I'm sitting on something like my sexuality or my love or my hate.
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It sits there taking up a lot of space.
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Actually, when I let myself fully, fully express my hate or my love or my sexuality, it just moves where it needs to move.
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I'm no longer scared of it and I'm less likely to suffer from depression because I'm not scared of what I'm feeling.
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It gets expressed, it moves on like I don't hold on to it because that moment's done and I'm I'm on to the next thing but, we, we tend and I see this a lot we, we haven't been taught that the capacity of our human heart is so immense.
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You give the human heart the right conditions and it knows what to do.
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And so to provide spaces with people.
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And people say to me oh, I feel like I can say anything to you, but you kind of can, because I'm not going to shame you.
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Whatever you're feeling is welcome, and all sorts of scenarios have been described to me.
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When you, when you get in an environment where you give a human being that level of listening, they work things out very quickly.
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Because I'm not, because it's not censored for them themselves, inside of themselves and with me as a human being, to find out what the logic is in, in what's going on for them because then it doesn't have to be logical.
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Yeah, exactly, exactly so.
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And there's always that that you know.
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The mind, body, intelligence has such a great logic, but you have to listen from a slightly different place.
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So maybe a slightly catalytic thing going on here.
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I'm interested.
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What went on for you there?
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You kind of leant back and took a breath in.
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Yeah.
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So one woman that I worked with, she was having affairs okay, with married men, so that's a kind of taboo thing to do.
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I don't condone that behavior.
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But if it's a client, I'm not judging that behavior either.
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But we want to get underneath what's going on for that human being and in the end we got it.
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It was like she thinks that if she's in a relationship with a man because of her childhood, they're going to take over, direct and dominate her life.
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So what's the smart thing to do?
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Have a relationship with a man that can't move in, can't dominate your life, because he's already got a wife and so she keeps herself safe.
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So there's a logic in her behavior.
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But once you realize that that's your logic, you can start to think well, I'm perfectly able not to let someone take charge of my life and dominate me and move in if I don't want them to.
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She stops having affairs with married men just like that just like that.
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But you've got to feel it through, but you've got to realize what there was a key there.
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She made, she made what she wasn't letting herself feel conscious, and then, oh well, I can stop doing that then yeah, well, that's the thing.
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Right like the the point that you brought up, I got to thinking the longer you hold on to anything, intentionally or otherwise, it's always going to cause a problem.
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I couldn't think of any situation where the longer you hold on to something, the better it gets.
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Never that's a nice thought.
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Unconsciously, for example, you eat a sandwich.
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You look like somebody that eats a sandwich every now and again enjoyed a good BLT, or whatever.
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And so when you eat a, sandwich.
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If you don't brush your teeth, the longer you hold on to the bacon or whatever in your mouth, it sticks to your teeth, does damage, and that's without you even trying.
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Right Then the amount of, I don't know, let's call it force or pressure, maybe in your grip that you could exert on anything that you would need to, as your muscles fatigue to hold on to something longer.
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Eventually you're going to drop it and it's going to degrade naturally, because you can't hold it forever.
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Whatever it is Right.
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You mentioned a point, the ability.
00:21:40.403 --> 00:21:57.165
I forget how you said it now, but the ability of the human heart, the extent that it can, you know, feel or accommodate loosely, to the point that you made there, I guess I've always thought about it and this is what clicked in my head when you, you said something catalytic Um, well, I hadn't even thought about it.
00:21:57.227 --> 00:22:20.189
Actually, I guess I'd always felt that it's always easier to feel the pessimistic, negative, heartfelt energies, right, depression, anxiety, grief, anxiety, grief, sadness, loneliness, futility, whatever, okay, and that's when, at least for me, I'm more conscious of whatever emotional state I'm in.
00:22:22.519 --> 00:22:33.380
But I don't know that I've experienced, and if I have, I don't know that I've actually registered what was happening, that that everything, at least as I understand science, is an equal and opposite effect.
00:22:33.380 --> 00:22:47.346
And so for the amount of depth that negative energies can have, then the amount of lift positive energies could have, right, the equal and opposite pull or push, I guess of that extreme.
00:22:47.346 --> 00:22:52.999
And yeah, so I never thought about it until you brought that up, that you can't.
00:22:52.999 --> 00:23:03.346
I call these types of people, or even myself, in these types of moments, a time traveler, because obviously I can only go as fast as the earth, right?
00:23:03.346 --> 00:23:22.670
This isn't meant to be an actual science fiction reference, but as an analogy, as a metaphor Physically I'm present, but mentally I'm stuck in the past and I can't figure out how to get back, or I'm so preoccupied with the future that I have no idea what's happening in the present, because mentally I'm not here, even though physically.
00:23:22.690 --> 00:23:34.210
That's where I'm aging right, and I guess it never really occurred to me that eventually you just have to let go and move on and realize or reconcile that it's not in your control.
00:23:34.755 --> 00:23:41.189
In fact, maybe the only thing that's in your control is to control what you're feeling and develop that.
00:23:41.189 --> 00:24:13.204
And so, anyway, all of that is what was going through my head when you were describing those things, describing those things that you know, whatever the trauma is, whatever the experience was, I spent the majority of a 15 year career in in the U S military, uh, away from my son, and so he's 10 now, but I've really only been around him for maybe two years, two and a half years physically, but I think probably close to all 10 of those years, maybe nine and a half years, I don't know that I've really been mentally present when I've been physically around either.
00:24:13.204 --> 00:24:25.788
So, yeah, there's a lot of those sort of dichotomies that you brought up, where, identifying that kind of unity, you sort of have to identify the prism that you're existing in from a few different angles.
00:24:25.788 --> 00:24:30.125
So what is it do you think about?
00:24:30.125 --> 00:24:39.515
Think about, let's say, self-expression in general, because you don't dance like you used to, right, you focus more on coaching, not physical therapy.
00:24:39.575 --> 00:24:47.403
I'm more of a coach these days, although I'm going to launch a dance series this year because I can't stay away okay all right there it is yeah.
00:24:47.403 --> 00:24:50.751
No, you're right yeah yeah so okay, so.
00:24:50.972 --> 00:24:58.095
So what is it about self-expression that worked, that now you're able to recreate for you, since you're not dancing as much?
00:24:59.698 --> 00:24:59.999
yeah.
00:24:59.999 --> 00:25:03.826
So what I'd like to go to is is is a lot of what you said.
00:25:03.826 --> 00:25:24.915
So, first of all, like I love what you said about the depth of people, so point one, pleasure capping is a concept that I love to talk about because, just as we resist the negative emotions, even though we're more conscious of them when they turn up, you're right, when I'm, when I'm unhappy, it's easier to spot.
00:25:24.915 --> 00:25:27.821
I'm unhappy, when I'm happy, I'm just happy.
00:25:28.723 --> 00:26:08.298
But I think there is something in the depths of things that, having got, having got into points of my life where I was very, very like rock bottom, rock bottom, that there is equal a rise, that I can go, I can, I can get very, very blissful as well when the ingredients are right in my life, but I let myself have a wide spectrum of emotion or a depth and a height, and so some of the work is is to look at culturally, where we've been conditioned not to let ourself have joy, that we have guilt around being joyful or we have.
00:26:08.298 --> 00:26:35.005
We have guilt about just spending time with our kids because we're meant to be working, because we've been taught that's more important than our kids, which I would um contest every time, most of the time you know we've got to bring money in but also like, like, how, how to let ourselves go, how to let our minds go, so that when they pick a daisy and hand it to us, that our heart explodes, that we crack.
00:26:36.016 --> 00:26:38.344
Because, there's nothing more innocent than a child.
00:26:38.344 --> 00:26:46.323
I do more coaching these days because I like to do the school run as soon as I had kids.
00:26:46.323 --> 00:26:55.328
It was harder to hold big dance floor spaces because the money I earned there just didn't seem worth what I could do if I was reading a bedtime story.
00:26:55.328 --> 00:27:07.162
But that's a personal, that's my value system and you can see that that's going to be high on my value system because mom left when I was six, so being a mom is really important to me.
00:27:09.414 --> 00:27:11.896
Alrighty, folks sit tight and we'll be right back on Transacting Value.
00:27:11.916 --> 00:27:35.412
So being a mom is really important to me and you can see that that's going to be high on my value system, because mom left when I was six, so being a mom is really important to me.
00:27:36.885 --> 00:27:38.671
Well, it could have gone the other way.
00:27:38.671 --> 00:27:40.435
Yeah.
00:27:40.435 --> 00:27:56.433
You know, like that could have just been what you accepted as natural and not, I don't know, atypically nurtural, and just said I'm not going to have kids because how would I know if I wouldn't do the same thing, or any of those types of responses, right?
00:27:56.433 --> 00:27:59.327
So yeah, obviously you made peace with that, though.
00:28:00.210 --> 00:28:01.353
Yeah, yeah, I have.
00:28:01.353 --> 00:28:12.450
You only need to look at your parents' upbringing and their parents' upbringing and their parents' upbringing to realize that the pain that was getting handed down.
00:28:12.450 --> 00:28:15.233
Then you think, well, what do I want to do?
00:28:15.233 --> 00:28:17.998
But it does involve questioning.
00:28:17.998 --> 00:28:22.132
I haven't parented the way my parents parented me.
00:28:22.132 --> 00:28:23.818
It's not because they did it wrong, it's.
00:28:23.818 --> 00:28:26.606
It's just that I've questioned what attunement is.
00:28:26.606 --> 00:28:43.137
I've watched my child's face and and and when you, when you can see an emotion come across it and you work out whether or not they need scooping up or whether they need resilience or whatever it is that that personality in that moment needs from you, you start to listen from a different place.
00:28:43.137 --> 00:28:45.574
You're not thinking about what to do.
00:28:45.574 --> 00:28:49.086
You're immediately your body's either moving towards or away from.